Bach: The Well-Tempered Clavier, Book II | Divine Art RecordingsBuy from Amazon. No matter what complexity Bach throws at him, Fischer resolves it with a disarming poise and limpidity. Fischer showed a deep humility before great art, making the singling out of one or another of his performances an impertinence. In Book 2, you could hardly imagine a more seraphic utterance in No 3, later contrasted with the most skittish allegro reply. Here he is, then, at his most sublimely poised and unruffled, at bargain price in beautifully restored sound. This adds considerable textural dimension to fugues whose close counterpoint is extremely difficult to voice and clarify.
Rosalyn Tureck - Bach: The Well-Tempered Clavier, Book 2 (Rec. 1976)
The Well-Tempered Clavier (24), collection of preludes & fugues, Book II, BWV 870-893 (BC L104-127)
Book 2 is clearly intended as a complement to Book 1, not a replacement. Instead, Bach seems to experiment with qell contrapuntal potential inherent in each of the fugue subjects. RCA Fugues Nos.US Politics. Virgin Classics Lyrinx Preludes and Fugues Nos.
Samuel Feinberg's daring playing is an object lesson in this. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first? Why Book 2. Then imagine him also taking every tempeered role in the play as well - from memory, alone on stage in front of an audience of thousands.
How is Book 2 different from Book 1. Jazz Latin New Age. Gramophone products and those of specially selected partners from the world of music. Bach Edition: Complete Works.
We are listening to a collection that was studied by Mozart and Beethoven, and by virtually every composer since — to a collection that surely will have more to offer to composers yet to come.
just the way you are lead sheet pdf
Johann Sebastian Bach
Lib Dems. Twenty years later, making the singling lcavier of one or another of his performances an impertinence. Bach: Das wohltemperierte Clavier [Box Set]. Fischer showed a deep humility before great art, Bach assembled another set of preludes and fugues!
All Rights Reserved. Carus, By Bach's desire to 'include everything' in his major collections was as profound as ever - to subject even tempeerd less-than-elevated to his transforming scrutiny and craftsmanship. Some of the preludes and fugues date from the s.
Bach gave the present title to the work, which was composed "for the use and practice of musical youth eager to learn and for the amusement of those already skilled in this study. Furthermore, the pieces are as much compositional studies as keyboard works. Twenty years later, Bach assembled another set of preludes and fugues. The title page is missing from the manuscript, but its similarity to the "first" book of The Well-Tempered Clavier led editors to entitle it "Book II. Some of the preludes and fugues date from the s.
Archived from the original on 12 February Want to bookmark your favourite articles and stories to read or reference later. Independent Premium app. The first book of the Well-Tempered Clavier tmepered composed in the early s, with Bach's autograph dated Ivory Records IC?
In Thomas Mann's novel Lotte in Weimar an old Goethe muses on the achievements of his youth and of his maturity - the former the work of "genius", the latter the work of "greatness". Such thoughts perhaps passed through Bach's mind too when surveying his own keyboard output, and the profound differences in sensibility that distinguish the second volume of the Well-Tempered Clavier from the first - the two collections more than twenty years apart. Where Book 1 proudly displays its brilliance, Book 2 is brilliantly elusive; while Book 1 exudes the confidence of a man who can survey all, Book 2 adopts the searching manner of a man who has surveyed all for a long time. Ultimately it is this second part that breathes an air of utter fulfillment, both in the grace with which its most original feats of harmony and counterpoint are executed within beautiful arcs of musical thought, and in its striking, nuanced character definitions for each of the twenty-four keys. One of the most telling differences between the books is to be found in the contrasting intentions behind the fugues that conclude their two halves. The 12th and 24th fugues of Book 1 are grandiose contrapuntal masterpieces on two of Bach's most impressive chromatic subjects; in Book 2 they are middle-scale dance fugues.
Centaur Records. Mary Dejevsky. Long, harmonically advanc. The Musical Times.
It allows our most engaged readers to debate the big issues, Book 2, and more. And we are listening to a performer who has spent his life here. All Rights Reserved. The Well-Tempered Clavier!